One of 23 other artists taking part in a great charity event to raise money for Roundabout Charity. Businesses were invited to purchase a ‘banger’ for no more than £650 which we were then tasked with painting the bonnets creating an art roadshow in the form of a rally to Monte Carlow. The bonnets will then be auctioned off upon their return. Many thanks to Henry Boot Construction for picking my design and allowing me to paint more than just the bonnet. Looking forward to updating this post after the auction!
I painted this anamorphic piece for my friends at the Gin Bar in Nether Edge, Sheffield. This is the first time I’ve used perspective anamorphosis outside and in such an accessible way, creating a piece of interactive public art.
Click HERE for timelapse vid!
Commissioned by startup business Eckington Self Storage to paint the huge shutter entrance to their Self Storage facility. I took the opportunity to paint my 3D wave pattern in a colour scheme inspired by shipping containers (which are what are used as the storage units) and the random nature in which they are arranged on container ships. Very much enjoyed applying the design to the two different surfaces brick and corrugated metal.
Large-scale commission for Adidas at their UK Headquarters in Stockport. In the huge stairwell leading to their showrooms and gym in a converted factory. The brief required two feature walls and various pieces of text, all tied together with monochromatic geometry to represent Adidas, and sprawling nature to represent Reebok. I was brought on board by The Mural Artists as creative director and to paint the geometry of the Adidas section.
Commission to paint an external wall of Twenty Twenty Two bar located in Manchester’s Northern Quarter. I used Trompe L’oeil to create a site-specific optical illusion piece.
Second piece out of four, exploring the relationship between certain colours and the optical effects that result when they are combined and repeated. Much more about this project to come.
Commissioned by The University Of Sheffield in February 2016 to paint 24m of construction hoarding under the concourse outside the students union which was erected for the essential bridge maintenance that was taking place. Originally intended to only be in place for three months, due to its popularity, the piece stayed many months after the work was complete, lasting approximately a year and a half.
This was my first anamorphic piece using just a single plane of perspective. I had full creative freedom for this so took the opportunity to explore some ideas and try something new. As tempting as it was to design and paint something totally personal, I felt I had a duty to paint something typographical that related to, and that could inspire its audience. I came up with the phrase when I asked myself – ‘what do you go to uni for?” then cut this into my tech wave pattern, creating a Trompe L’oeil piece which had viewers walking right up to it to check if it was indeed three dimensional.
Giclee print created from the design for my large scale SHF mural. Visit my Bigcartel to purchase!
A View of Sheff was a group exhibition curated by Uber Agency.
Following statement taken from the View of Sheff website…
“To get under the skin of the real Sheffield, Über Agency created a snapshot of totally honest viewpoints from people the length and breadth of the city, by simply asking them: What’s your view of Sheffield?
We then invited Sheffield-based designers and artists to each select one of these viewpoints and interpret it in a style and medium of their choice.
Click here for timelapse vid!
Presenting ‘[SHF]’, my piece for the Year of Making 2016. Back in February of this year I applied for a commission with a project idea I had over two years ago: to create a large-scale mural celebrating Sheffield’s industrial past, it’s present, and it’s creative future, to communicate not only with local inhabitants, but also commuters and tourists alike, acting as a beacon/landmark for our city. The project, ‘Connecting the North’ came about when I was researching the industrial history of Sheffield, and other Northern towns and cities. The advent of the railway was a huge leap forward in connecting towns and cities together industrially and indeed recreationally. The free-er movement of imports and exports helped towns become cities, and allowed for tourism to become what it is today. I chose to take the universally understood yet unspoken language of train station codes and use this as the basis for my mural. [SHF] is the unmistakable three letter alpha-code abbreviation for Sheffield. There is no other, just as there is no other Sheffield (in the UK). Seeing this code elsewhere, other than just the train station, will act as a reminder of where you are and why you’re here. I designed the piece to fit perfectly onto the wall it is painted. It is purely typographical, repeating the letters concentrically to create repeating pattern and shape. This metaphorically illustrates the strong creative/design culture that the city harbours. This is what the city is recognised for today, and will be into the future. I chose the green colour scheme, because, if there’s one colour that represents Sheffield, it’s green. I also wanted to highlight it’s status as the ‘greenest city in Europe’.
I have since painted the white space to the right of the mural with a personal project. See ‘K9 Portrait’ for updated photos!
Huge thanks go to artist Phlegm for offering his wall. To the excellent staff of the Dog Shelter for their hospitality, Tamar Millen of Year Of Making for her support throughout the project, Tommy Wilson, Steve Pool, and Felicity Hoy. Visit the Year of Making website for more information on this year-long festival.